Mochu works with video and text, arranged as installations, lectures, and publications. Technoscientific fictions and subcultural formations feature prominently in his practice, often modulated with anxiety, futurity, and weird selfhoods. Hosting cameos from art history, media theory, and philosophy, recent projects have explored the nostalgic remains of cyberpunk, civilizational battles on the internet, corporate encounters with deep time, and other psychonautic drifts across landscape, madness, and states of intoxication. Mochu is the author of the books Bezoar Delinqxenz (Edith-Russ-Haus + Sternberg Press, 2023), and Nervous Fossils: Syndromes of the Synthetic Nether (Reliable Copy + KNMA, 2022). Exhibitions include those at RMIT Melbourne (2024), 9th Asian Art Biennial (2024), Edith-Russ-Haus für Medienkunst (2022), 9th Asia-Pacific Triennial (2018), 4th Kochi-Muziris Biennale (2018), 13th Sharjah Biennial (2017), and transmediale:BWPWAP (2013).