Dhanushka’s work was a immaculately precise of selected images from her sojourn in India. The entire studio had been clinically lit to bounce light of the ceiling to enforce a non invasive glow which greatly accentuated her ambitiously tranqulizing compositions of Buddhist scenaios of India. Though immedeately it did appear a bit idealised in it’s scope but the overall prevailing quiet and solitude of the compositions rendered such apprehensions into the sub consious.