In 2017, KHOJ staged a hearing titled ‘Landscape As Evidence: Artist As Witness’, developed in collaboration with artist Zuleikha Chaudhari. Hoping to provide alternatives to established social, political, and economic narratives, the hearing presented art as evidence and artists as witnesses in a simulated court of law. Opening with a video of these proceedings, This Must Be True complicated the very act of witnessing in the collapsing gulf between law and aesthetics.