Prasanta Mukherjee’s works are prompted by the social, political, religious, or environmental circumstances around him. His conceptualization of the work done during the workshop stems from his first day’s experience of the environment at Modinagar, an industrial suburb. There is a presence of some suspended matter in the air of this industrial town. These omnipresent black particles seem to layer any form of life on earth which sticks out like a sore thumb in the midst of the abundant green of our immediate surroundings. His work reflects this toll on life represented by a seed, a leaf, and a flower.