Beginning her career as a sculptor with an interest in narrative figuration, Pushpamala N has transitioned into casting her own body as various characters and personae in the medium of photo-performance. Collectively, Pushpamala’s work engages with postcolonial theory and a feminist historical gaze and her
‘photo-romances’ and studio photographs seduce viewers through spectacular and elusive narratives. Recently Pushpamala has been expanding her photographic practice into the medium of experimental short films, live performance and sculptural tableau. Her work has been shown widely in India and internationally.